Schuljahr 19/20
1. Oktober bis 31. Mai
Leitung: Philipp Fleischmann
Informationsabende: 11.06.2019 und 23.09.2019 jeweils um 19 Uhr
Die SCHULE FÜR UNABHÄNGIGEN FILM WIEN wurde 2006 von Friedl Kubelka gegründet und wird seit 2014 von Philipp Fleischmann geleitet. Kernstück des Unterrichts sind 7 praxisorientierte Workshops mit Filmkünstler*innen, die aus ihrer eigenen, jeweils unterschiedlichen Sichtweise unterrichten. Der Lehrgang wird durch eine Vortragsreihe sowie durchgehende und individuelle Projektbetreuung und Einführung in die Laborarbeit vertieft. Die Vorträge der SCHULE FÜR KÜNSTLERISCHE PHOTOGRAPHIE WIEN, die in denselben Räumlichkeiten stattfinden, können kostenlos besucht werden.
Die Schule basiert auf dem Zitat Dantes „WO DAS KÖNNEN DEM WOLLEN FOLGT“. Ein leidenschaftliches Interesse an einem Thema und dessen Umsetzung auf analogem Filmmaterial soll demnach im Vordergrund stehen. Ziel eines Schuljahres ist es, eigenständige Filmarbeiten zu entwickeln sowie einer eigenen Haltung, Arbeitsweise und Vorstellung von Film näher zu kommen. (Philipp Fleischmann)
WORKSHOPS
ROBERTO MINERVINI
WORKING WITH FEAR
FEAR as the physiological obstacle to overcome when working on the real.
FEAR as an ideological hurdle when considering the repercussions inherent to approaching a particular subject.
(Kooperation Filmschule x Stadtkino Wien, Workshop in English)
ROSE LOWDER
TIME AS A COMPLEX BUT ESSENTIAL ELEMENT IN FILM
First of all I would like to study the relationship and the difference between how time is experienced in general when living and the way it is perceived during the duration of a film sequence. Then, having seen how the temporal aspect of a film is intricate, involving many interacting factors, I would propose that everyone tries to make a short film around a contemporary subject that takes into account our discoveries concerning time. (Workshop in English)
MARY HELENA CLARKA PUZZLE IS SOMETHING PUZZLING
A puzzle is something puzzling : it expects deduction and solution, while at the same time describes a condition of open confusion. Based on the Flaherty NYC series Puzzling co-curated by Clark, this workshop considers divergent perceptual experiences of the world via the frame of the puzzle and the collage film. The workshop will explore the film form as a choreography of sense and stimuli and the perceiving body the filmic experience implies. Students will shoot and record audio, explore sound and image relationships, and develop ideas around structure and montage while editing their work. Exercises will be based on writings and work by Lyn Hejinian, Lisa Blackman, Ivan Martinac, and Leslie Thornton. (Kooperation Filmschule x school, Workshop in English)
NAZLI DINCEL
ANALOG FILM AND THE BODY
My films engage themes of disruption, arousal, immigration, trauma, and the body, for an afternoon exploring the physical properties of a 16mm celluloid film. Participants will learn how to manipulate the physical surface, color, and texture of both found footage and clear 16mm film strips with direct hands-on techniques and in a supportive and collaborative environment be given time to create on their own. A variety of techniques and tools will be employed, from scratching or typing directly into the film emulsion to punching holes and even sewing through the film, in addition to adding color with inks and marker. This type of cameraless filmmaking (or direct animation) is a meditative process for me in which the analog film becomes a sort of metaphor for the body. Participants are encouraged to come ready to experiment. (Kooperation Filmschule x Sixpack Film x Mumok, Workshop in English)
SUSANNE SACHSSEFIGHT THE MONOMEDIA. A WELL-CAMOUFLAGED COLD SHOWER. OR : WHAT IS SOMETHING WITHOUT PATHOS?
And this will happen : In this workshop we will develop an escalated performance installation with sound, text, film, chorus, chorusline and solos. A family portrait and the destruction of the nuclear family. O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O OK. We will employ an orgy of methods from the revolutionary gender queer Off- Off- Broadway Theater scene of the 1960s to post-Brechtianism and feminism in order to create new possibilities for performance in intermediate contexts. (Workshop in English and German)
PHILIPP FLEISCHMANN
SCULPTING LIGHT AND SPACE
to cover, to secure, to pull, to scroll, to wind, to thread, to pull, to push, to slide, to store, to hide, to stretch, to shorten, to twist, to bend, to cut, to splice, to remove, to cleave, to stick, to attach, to mount, to tighten, to pin, to lift, to move, to shift, to carry, to support, to place, to open, to expose, to look, to gaze, to take, to record, to absorb, to receive, to stare, to stop, to close, to pause, to wait, to secure, to hide, to remove, to collect, to imprint, to memorize, to fixate, to enclose, to surround, to expand, to light, to sculpt, to continue (Workshop in German)
PAVOL LISKA / KELLY COPPER
NO PERMISSION
In this workshop we will focus on methods and necessities for filmmakers to work independently and without permission. How to make films within the available means, not waiting for someone to give you money or approve your script, but working out of an inner need to make art and push beyond the limits of the art form, and having the highest artistic standards even with the poorest production means. (Workshop in English)
VORTRAGSREIHE
FILMEMACHER*INNEN ÜBER FILMEMACHER*INNEN
Sich mit dem Leben und Werk anderer Filmemacher*innen auseinanderzusetzen ist für die eigene künstlerische Arbeit von enormer Bereicherung. In diesem Schuljahr sind Filmemacher*innen eingeladen, um über Filmemacher*innen zu sprechen, deren Arbeit ihr eigenes Handeln motiviert, inspiriert und beeinflusst hat. Diese Reihe soll dazu dienen, die vorgestellten Künstler*innen und Vortragenden näher kennen zu lernen. Vor allem aber soll sie Ansporn sein, dezidiert eigene Vorbilder, Verbündete und Bezugspersonen zu finden.
(Philipp Fleischmann, 2019)
RUTH ANDERWALD + LEONHARD GROND zu BRUCE BAILLIE
CANA BILIR MEIER zu AYSUN BADEMSOY
PHILIPP FLEISCHMANN zu PAOLO GIOLI
FRIEDL VOM GRÖLLER zu CARL THEODOR DREYER
MARTINA KUDLÁCEK zu MAYA DEREN
BELINDA KAZEEM-KAMINSKI zu CHERYL DUNYE
DORIT MARGREITER zu REBECCA BARON
LUDWIG WÜST zu ROBERT FRANK
ANTOINETTE ZWIRCHMAYR zu NARCISA HIRSCH
ZEITEINTEILUNG
- Workshops: Do 19–21 Uhr, Fr, Sa, So jeweils sechs Stunden
- Vortragsabende: 19-21 Uhr
- Ateliertag: Dienstag von 10 - 17 Uhr, Nutzung der Dunkelkammer nach Vereinbarung
- Jeden Dienstag: Zyklisches Programm „Was ist Film“ im Österreichischen Filmmuseum
- Einzelgespräche: nach Vereinbarung
- Projektbetreuung Unabhängiger Film: nach Vereinbarung